On his compelling, critically acclaimed tribute to the Chairman of the Board in honor of his 100th birthday, renowned performer and independent recording artist Andrew Heller achieves something powerful and musically transformational that most vocalists miss when paying homage to Frank. Instead of impersonating him like most do, the singer does Sinatra My Way, putting his own unique vocal stamp and style on ten signature classics.
With music provided by the Nelson Riddle Orchestra and conducted by the late legendary arranger’s son Christopher (who played in his father’s orchestra from the time he was 13) and John Mills, Heller works seamlessly with the classic arrangements from the 1950’s, 60’s and 70’s, adapted to his own unique vocal tenor.
Since launching his recording career in 2004, the classically trained, Scarsdale, NY raised, Austin, TX based Heller has appeared with orchestras as varied as the Austin Symphony, the Philadelphia Philharmonic and the iconic Western Swing band The Texas Playboys. He has released a total of nine heralded full length country, pop and inspirational recordings whose titles cleverly reflect the theme of their material--including El Paso, Christmas Wonder, Broadway Love, My Beloved, Places, I Believe in Angels, Reach Out and Houston. Over the years, Heller has scored over 20 songs in the Top 15 on numerous national charts, including Power Source magazine and New Music Weekly, which named him their 2015 Breakthrough Artist of the Year.
Those accolades have laid the perfect foundation for Heller’s emergence as a one of today’s premiere interpretive vocalists. The broad critical acclaim and widespread radio play for Sinatra My Way – which was produced by Ray Barnette, whose credits include everyone from Billy Dean to Dolly Parton - is taking the versatile, well traveled performer’s career to a whole new inspiring level. Rob Lester from Talking Broadway wrote, “Andrew sounds loose and joyful and in this brief 10 track excursion with mainly up-tempo selections of Sinatra signatures. Quite appealing and surprisingly fresh…This album truly feels like a tribute and the singer finds little opportunities to be suave, cheery and refreshing even within these tight confines.”
For Heller, the key to putting his own spin on classics like “Night and Day,” “Summer Wind,” “My Kind of Town,” “In The Wee Small Hours,” “I’ve Got You Under My Skin” and “The Way You Look Tonight” was studying the master’s keen sense of storytelling via finely detailed phrasing and musical and lyrical details. “Spending hours listening to recordings to narrow down the set list with Riddle and many other contributors,” Heller says, “I discovered that Sinatra created multiple recordings of many tracks, engaging in different phrasing and changing individual words and whole lines to enhance the emotion as he saw fit. The key for me was finding versions of each that I could apply my own storytelling abilities to. I found it fascinating that Sinatra never sang the same song the same way, ever.”
One of the great joys of making Sinatra My Way was working with Christopher Riddle and hearing bright, poignant and often hilarious anecdotes about his dad and Sinatra. Impressed with Heller’s previous work and intrigued by the idea of using those great Nelson arrangements in a fresh setting, Riddle flew down to Texas to meet Heller. A scheduled three hour lunch lasted 12 hours and they two became fast friends and collaborators. Adding a moment of sheer poignancy to the project was Heller finding out that he was in the recording booth singing Ervin Drake’s “It Was A Very Good Year” at the moment the legendary songwriter passed away at age 95. Heller had become friends with Drake when Drake called him personally to thank him a few years earlier for the rendition of the classic “I Believe” he recorded on I Believe In Angels.