BOBBY SANABRIA MULTIVERSE BIG BAND, Arsenio and Beyond: Live at the Bronx Music Hall
- Jonathan Widran
- 2 days ago
- 2 min read
Few contemporary bandleaders bridge scholarship, cultural preservation and explosive live performance with the authority and passion of drummer, percussionist and educator Bobby Sanabria. With Arsenio and Beyond: Live at the Bronx Music Hall, Sanabria and his remarkable multi-Grammy nominated Multiverse Big Band deliver not merely a fiery, multi-faceted and rhythmically diverse concert recording, but a vibrant celebration of Afro-Cuban musical history, New York jazz tradition and the enduring legacy of Cuban tres master Arsenio Rodríguez (1911-1970), of whom maestro Mario Bauzá once stated, “Without Arsenio, there is no salsa!”

Recorded before an enthusiastic audience at the Bronx Music Hall, the album pulses with immediacy from the immediately gripping opening moments of the boisterous, punchy brass and call and response driven “Tumba Y Bongo.” Sanabria’s concept is ambitious yet deeply rooted: honoring Rodríguez’s revolutionary innovations while expanding them through modern big band orchestration, layered jazz harmonies and contemporary rhythmic energy. The result feels both historically informed and thrillingly alive in the present tense.
The ensemble itself is extraordinary, featuring a powerhouse mix of percussionists, horn players and vocalists capable of navigating dense arrangements without sacrificing spontaneity or groove. Throughout the recording, Sanabria conducts the band less like a strict traffic controller than a catalyst, allowing the music to breathe, surge and erupt organically.
There are countless immersive, fast hopping highlights throughout. The vocal coro, brass and flute whimsied “La Cartera” swings with swagger and precision, balancing dance-floor propulsion with sophisticated ensemble textures. On “La Vida Es Un Sueño” the orchestra expands emotionally as lush brass harmonies and soaring melodic lines create one of the recording’s most cinematic moments.
“La Cartera” swings with swagger and precision, balancing dance-floor propulsion with sophisticated ensemble textures. On the sensual and simmering, then more peppy “La Vida Es Un Sueño,” the orchestra expands emotionally as lush brass harmonies and soaring, melodic and romantic lines by a male-female vocal duo create one of the recording’s most cinematic moments. A lush, seductive spin through Tito Puente’s “Mambo Diablo” adds festive fire to the mix.
Sanabria’s arrangements consistently reveal his deep understanding of both jazz orchestration and Afro-Caribbean rhythmic architecture. Rather than layering percussion onto conventional big band charts, he integrates the rhythmic foundation directly into the structural DNA of the music. Every horn accent, rhythmic break and ensemble swell feels connected to the heartbeat of the Afro-Cuban tradition Rodríguez helped define decades ago.
While there are countless standout solos the larger achievement lies in the ensemble unity. The Multiverse Big Band functions as a living organism, capable of shifting effortlessly between explosive mambo passages, jazz improvisation, folkloric textures and deeply soulful melodic expression. Arsenio and Beyond ultimately succeeds because it understands that tradition survives through reinvention. Bobby Sanabria honors the past not by preserving it behind glass, but by pushing it forward with fearless creativity, intellectual depth and undeniable rhythmic fire.







Comments