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THE JW VIBE
Music That Sticks To My Soul
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DIETER SPEARS, String Dreams
From the hypnotic, horizon-gazing sweep of “Across the Plains” to the rhythmically charged, twilight-time exhilaration of the closing track “Chasing Dusk,” Dieter Spears invites listeners on String Dreams into a richly immersive, genre-blurring journey that plays like a musical travelogue—part road trip, part inner exploration, and a full on artistic leap of faith. Loosely inspired by his experiences traversing vast American landscapes as a photographer, the album unfolds les
Jonathan Widran
1 day ago


DOUG MacDONALD, Tribute To South Central
For decades, guitarist Doug MacDonald has functioned not only as one of Southern California’s most consistently inventive jazz artists, but also as a kind of musical preservationist, chronicling through his prolific output of studio and live albums the spirit and history of the communities that shaped him. Much like earlier recordings inspired by Beverly Hills, Highland Park, Toluca Lake and the Coachella Valley, his multi-faceted, stylistically and rhythmically eclectic Trib
Jonathan Widran
2 days ago


JOE SYRIAN, Motor City Jazz Octet, A Blue Time
On A Blue Time, the stellar, sophisticated, wildly adventurous sophomore album by the Joe Syrian Motor City Jazz Octet, the veteran visionary drummer and bandleader continues his ongoing dialogue between jazz tradition and imaginative reinvention, guiding his nimble, well-heeled powerhouse ensemble through a spirited, stylistically fluid set that balances vintage swing, Afro-Latin grooves, cool-toned introspection and playful experimentation. With a unit featuring stalwarts l
Jonathan Widran
2 days ago


CHRISTOPHER SÁNCHEZ, Latin Jazz Meets Opera
On Latin Jazz Meets Opera, Dominican-rooted baritone Christopher Sánchez undertakes an ambitious and deeply personal musical synthesis, weaving together opera, Latin jazz, bolero and Caribbean traditions into a recording that feels less like a crossover experiment than a heartfelt act of cultural and autobiographical storytelling. Richly rooted in memory, migration and personal identity, the album traces Sánchez’s journey through inherited musical traditions shaped by family
Jonathan Widran
2 days ago


KATHY INGRAHAM, Jazz Dreams
With a compelling interpretive vocal style that has earned favorable comparisons to Nina Simone for its intense, soulful richness and Blossom Dearie for its intimacy and whimsy, vocalist, composer and producer Kathy Ingraham finds the ultimate expression for her eclectic aesthetic on her fourth album Jazz Dreams. Inspired by a unique gambit between classical composers and a bebop band leader showcased in the 1944 Oscar winning short film Heavenly Music, the multi-talented art
Jonathan Widran
2 days ago


BOBBY SANABRIA MULTIVERSE BIG BAND, Arsenio and Beyond: Live at the Bronx Music Hall
Few contemporary bandleaders bridge scholarship, cultural preservation and explosive live performance with the authority and passion of drummer, percussionist and educator Bobby Sanabria. With Arsenio and Beyond: Live at the Bronx Music Hall, Sanabria and his remarkable multi-Grammy nominated Multiverse Big Band deliver not merely a fiery, multi-faceted and rhythmically diverse concert recording, but a vibrant celebration of Afro-Cuban musical history, New York jazz tradition
Jonathan Widran
2 days ago


SOPHIA AGRANOVICH, A Reverie of the Soul: Piano Works
Sophia Agranovich’s exquisitely rhapsodic A Reverie of the Soul: Piano Works by Robert Schumann artfully transcends the realm of a recital—it is a deeply immersive psychological and spiritual journey into the very essence of Romanticism, guided by a veteran artist whose interpretive voice is as dynamic and commanding as it is intimate. Long hailed as a “tigress of the keyboard,” Sophia brings to this repertoire not only formidable technical mastery, but a rare ability to inha
Jonathan Widran
4 days ago


DAVID WOHL, Feels Like Happiness
In a genre where many solo piano albums arrive with a clearly defined concept or carefully framed intention, David Wohl’s Feels Like Happiness takes a quieter, more revealing path. Rather than announcing itself, the album unfolds naturally, inviting the listener into its world without pretense. The effect is subtle but profound: a body of work that feels less constructed than lived, less presented than shared. From the opening moments, there is no sense of striving, no need t
Jonathan Widran
Apr 27


APSTARA, One Minute Mantras I: Awakening
Over the past several years, with her releases Breath of Gratitude and Breathe III, Juliet Lyons has created a deeply personal body of work rooted in breath, healing and inner renewal—music shaped not only by her keen artistic instincts but by lived experience. With One Minute Mantras I: Awakening, she introduces a new creative identity, Apstara, and with it, a subtle but meaningful shift in focus. Where earlier projects often unfolded as expansive, emotionally immersive jour
Jonathan Widran
Apr 23


MAN ON LAND, Echo the Hills
On Echo the Hills, Boston-based trio Man on Land—pianist Brian Friedland, bassist Greg Loughman and drummer Austin McMahon—expand their deeply intuitive group language and aesthetic with the addition of soprano (and sopranino) saxophonist Lihi Haruvi, whose presence proves to be both a natural extension and a catalytic force. The result is a fluid, often shape-shifting modern jazz set that artfully balances atmosphere, lyricism and exploratory fire, with each piece unfolding
Jonathan Widran
Apr 23


ZACH SWEENEY, Age Gracefully
After decades building a multi-faceted life defined by service, family and business, Zach Sweeney returns to his first creative calling with Age Gracefully, a debut EP years in the making that draws on songs written across the span of his life—from high school and college through the present day. Rather than a sudden reinvention, the project feels like a long-deferred arrival, a richly textured, lyrically fascinating and deeply personal collection shaped by time, perspective
Jonathan Widran
Apr 22


Q&A WITH DAN WHEETMAN of MARLEY'S GHOST
Often associated with the Pacific Northwest but never confined to a single geographic identity, Marley’s Ghost has, over four decades, carved out a singular place in the American roots music landscape through its seamless blend of folk, country, bluegrass, gospel and beyond. Rather than being rooted in a single city, the band reflects the wide-open spirit of the American West itself—a collective shaped by decades of life and music-making across Washington, California, Montana
Jonathan Widran
Apr 17
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